Ogilvy at Creative Week and Loeries 2014

About Cape Town Creative Week and the Loerie Awards in 2014.

Creative Week is an annual celebration of creativity, innovation and culture, taking place this year from September 13 to 21 2014. Crowdsourced by Capetonians and coordinated by Creative Cape Town, Creative Week is an opportunity to experience the city’s energy and diversity while The Loerie Awards, the local creative awards show for Africa and the Middle East’s best in creative communications, will take place over the Loerie’s Weekend (September 20th & 21st).


Tanya De Jongh to represent Ogilvy & Mather at the Facebook Hackathon, Loeries 2014

We’re proud to announce that Tanya De Jongh, a designer in our Cape Town office, has been selected to participate in the first Facebook Hackathon on the African continent.

The Hackathon will take place on Thursday, September 18th, at the Southern Sun The Cullinan Hotel and will be overseen by Rob Newlan, Head of Facebook Creative Shop Europe, Middle East and Africa. As the head of a team of creative directors, strategists, entrepreneurs, and technologists, Newlan focuses on building creative ideas through a combination of art and science. Before joining Facebook four years ago, Rob spent his career working at Coca-Cola, Diageo and Unilever.

Along with 40 other participants, Tanya will work on a live brief for the Loeries Creative Future Scholarship and winners will be announced after the workshop in the afternoon.

Follow @tanyadejongh and @OgilvySA on Thursday as she takes on Africa’s first Facebook Hack.

Good luck, Tanya!

Here’s more about her:
Tanya de Jongh is a Creative Content Designer for Ogilvy Public Relations Cape Town who joined Ogilvy & Mather in March 2013 after graduating from The Red and Yellow School of Logic & Magic. Tanya started her Ogilvy career in the main creative studio working on clients such as Castle Lite, VW and Heinz. Tanya is a proudly Capetonian girl and social media enthusiast.


The Loerie Awards: One long stick fight by Lwandile Fikeni

For me, creativity has always been terrifying. The first time I came across something remotely creative was at my grand parents’ home in the rural village of Nzungiseni in Mount Ayliff, Eastern Cape. I was 4 years old. My grandfather and I were watching his cattle graze on the slopes of Intaba Yentsizwa (the Mountain of men) when a group of men, wielding spears and knobkerries, marched past chanting a song. They tied red cloth on their foreheads and arms and seemed to spoil for a fight. Frightened, I put down the binoculars we were using to watch the cattle and bolted for the door to lock it, so that the men would not cause harm to me and my grandfather. This made my grandfather laugh so hard he nearly fell off his chair. After he recovered he told me the story of the men. They were called ‘iindlavini’, The Rebels, warriors who occasionally marched and sang as a form of creative expression of their identity as well as their grievances.

The second time I experienced the terrifying effects of creativity was at my maternal grandfather’s home in Esithebe, near Qunu, in the Eastern Cape. Out there in the fields, against the clear blue skies and the now famous rolling hills, we (the boys who herded sheep) would gather in circles for stick fights. It was oh so frightening but you had to do it to gain credibility, especially for us, who were seen as city boys who had no skill in the ways of the village. We would pluck the stems of mealie crops after the mealie cobs were harvested, and use these stems as sticks to fight. One sunny afternoon it was my turn. A first turn of many to come. I took my sticks and stood in the centre of the circle to face one of my friends who lived in the village. He was a skilled fighter and on that dreadful afternoon would prove the effects of creativity. He danced around me in short, deft, steps as he picked parts of my body with his educated right hand. He whipped and hit and twisted and turned and blocked my attempts to get one shot in. He stomped and shouted and called his ancestors as he tore into me with thunderous swooshes, which left welts all over my body. Later, he would tell me that I would never learn to fight well when I was so defensive, that I needed to let go of my fears in order to permit the creativity needed to be skilful fighter to find expression. I took his advice and with time grew to be better at stick fighting.

With the Loeries Awards just around the corner, I think of my friend who told me to let go of my fears in order to be a good fighter. During the event we will be treated to the best advertising work South Africa has to offer ( in the past year, at least). The work that often wins the big prizes – The Grand Prix or Loerie Gold – is often work that is brave, that pushes boundaries, that shows what brand communication can achieve when brave creatives, suits and planners stand up for their work and brave clients let go of their fears in order for their brand to fully articulate itself in the marketplace and to its audience. I always look forward to this kind of work, more than the pretty work, which is often aesthetically pleasing, yet safe and uninspiring.

For me, brave work is the signifying mark of the creative warrior. The Loeries Awards is the recognition of this warrior’s spirit and his/her craft. Therefore, the Loeries become the place where the best skilled fighters from ad agencies and client-side gather under one roof to see who used his sticks best in the preceding year. There will be a terrifying air of expectancy in the room before winners are announced. The losers will scoff at the judges while scratching the welts on their behinds and finding a drink or two at the bar. And the winners will stand tall in the glaring light of their glory like my friend did, all those years ago, under the clear blue skies of Esithebe, in the Eastern Cape.


Lwandile FikeniLwandile Fikeni
An adman during the day and a writer of fiction and essays in the evenings, Lwandile Fikeni has been a copywriter at Ogilvy & Mather Cape Town since October 2013.

 



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Ogilvy & Mather South Africa does not represent the views and/or opinions of the Loerie Awards, unless otherwise explicitly noted. The Loerie Awards is organised an managed by The Loeries Company, a not-for-profit association. For more information on the awards, visit theloerieawards.co.za